|Skrell Lore Pages|
|Skrell||Skrell Ethnicities · Skrell Relationships · Skrell Ailments · Notable Skrell|
|Planets, Systems, Settlements||Qerrbalak · Qerr'Malic · Aliose · Aweiji · Tattuqig · Skrell Abroad · Notable Skrell Systems and Locations|
|Organizations, Factions, Politics||Skrell Politics and Enforcement · Nralakk Federation · Federation Crime and Resistance · C'thur in the Federation · Diona in the Federation · Generation Fleets|
|Culture, Society, History||Skrell Culture · Skrell Cinema and Idols · Skrell Education · Skrell Cuisine · Skrell History · Skrell Beliefs · Skrell Refugees|
|Major Skrell Events||Arcs of 2020 · Arcs of 2021 · Arcs of 2022|
Federation Culture and Beyond
These are generally recognized by the Skrell as a set of the practices, beliefs, and objects that are dominant or prevalent in their society; involving various different fields and topics that eventually formulate what is known as skrellian culture. Skrell that go against these norms are typically known as outliers, and will quickly become ostracized should they not bend and adhere to the society they find themselves in. Those that do not, will commonly find solace within the Traverse or outside of the Nralakk Federation.
Every Skrell is born with two names, both of them being made up by the Skrell caring for them. These names are not inherited or transferred on marriage - if a Skrell chooses to acquire a surname, they would technically have three names.
Name additions are a common facet of Skrell culture. It is common for a Skrell to add a name or a word to their name at some point in their lifetime. Name additions are added to the end of either name. Skrell traditionally only add one addition to the end of each name. Adding more than one addition to the end of a name is seen as breaking of an almost sacred tradition, as it lowers the significance of all other name additions, and is never authorized by Federation bureaucrats. However, some Skrell outside the Nralakk Federation may choose to do so anyway out of spite, simple ignorance, or other reasons.
The significance of such name extensions varies greatly, but the most basic rule governs pronunciation and helps to suggest the connotation of the addition.
Typically a “-” before an addition denotes a feeling of respect. This is often used with names that are meant to pay remembrance to figures, events, or locations. In spoken skrellian, the presence of a - is pronounced by allowing a moment between the Skrell’s original name and the addition. In other words, the dash is treated as if it were a space between two words.
The use of “‘“ before an addition signifies a more personal connection to whatever the addition means to the named Skrell. This is pronounced by simply treating the addition as if it were just a part of the name’s root. It is said as if it were one word. This can be positive or negative.
If a Skrell considers their addition notable enough, they may choose to translate it to Tau Ceti Basic for their work IDs and records in places where Nral'Malic is not widely spoken. This has only been picking up recently, and is somewhat uncommon.
Typical Skrell Slang
- Tadpole - a young or juvenile individual.
- Brown Dwarf - an individual that has failed to reach its potential.
- Protostar - a young, ambitious individual.
- Supernova - an individual that has slowly begun leaving the public eye.
- Voidbeckoned - an individual that is careless, reckless or dangerous.
- Sparks - slang for non-Skrell, due to their comparatively short lifespans.
- Elder - an accomplished, elderly individual.
- Webfoot - discreet term for someone who partakes in Xu’Xi gas.
- Gasrunner - someone involved in the importing or dealing of Xu’Xi Gas.
- Lu'vesi - Dropout - Lvs. - Void Graduate
- Aqm'vesi - 1 degree - Aqvs. - Junior Graduate
- Qro'vesi - 2 degrees - Qrvs. - Graduate
- Qu'vesi - 3 degrees - Quvs. - Star Graduate
- Sims - abbreviated version of simians, a slur for humans.
- Symp - abbreviated version of sympathizers of Glorsh. It is considered a slur.
- Skinjob - a derogatory slur for synthetic shells.
- Canner - a derogatory slur for synthetics.
- Inclems - an abbreviated version of Inclements, which stems from unpleasantly cold, a slur for the Tajara.
- Ratsnatcher - another derogatory slur for Tajara that originated in the Starlight Zone.
- Wasters - an abbreviated version of Wastelanders, which stems from the situation on Moghes. It is a slur for Unathi.
- Senseless - non-Skrell not outfitted with a psionic implant. In recent days it has come to mean someone who has a dull mind.
- Orb - a common container used in the transporting of Xu’Xi Gas.
- Sqrug - normally a derogatory term for an addict with no future, Xu’Xi or other drugs, that is said by non-users; can also be used in jest between Gasriders or as a general expletive.
- Gupkala/Guppi/Gup - a mocking word for law enforcement within the Federation or abroad.
- Grotto - a rundown building in which Xu’Xi gas is inhaled.
- Piisz - a batch of synthetic Xu’Xi or Xu’Xi of questionable quality.
- Toady - a criminal.
- Coral Stem - inhaler from which Xu’Xi gas is ingested from.
- Drylister - a Skrell (or non-Skrell) who has been born abroad but finds themself under Federation surveillance by the Ruupkala due to perceived deviancy against the Nralakk Federation; landing them on the “drylist”.
- I've Tup'd - a form of "I've won".
- I've been Tup'd - a form of "I've lost".
- Wake up - a dismissive form of saying an individual is lazy.
- Algae - shorthand for "all good".
- Mudvein - a word used to describe withdrawal symptoms of Xu'Xi gas since withdrawal is said to feel like mud flowing through your veins.
- Too moist - a scornful way of saying an individual is too traditional, and not adapting to modern culture.
- Too dry - a scornful way of saying an individual is far too progressive, radical even.
- Zip’d - to be high on Xu’Xi Gas.
- The stars grow brighter - a euphemism for an individual dying.
- Steel Rained - an expression coined shortly after the aftermath of Glorsh-Omega, where orbital installations rained back down onto the planetary surface due to lack of maintenance. It means to be "brick-walled" or "firewalled".
Insults, Slurs, and Crude Slang
Skrell life is highly dependent on the contribution of less-valued but highly crucial manual labour workers, although Skrell rarely ever want to work in these roles. Before Glorsh-Omega Skrell were able to delegate menial/unskilled work to machines, allowing them to pursue their dream careers. In modern times however, the State has been forced to incentivise workers into staying in unskilled careers. These Skrellian workers are often pampered by the Government to encourage them to keep working these jobs, capping their workweek at 30 hours, and providing them with many amenities in the workplace such as pools and extensive break rooms.
With the introduction of Dionae and Vaurcae to the Federation, this unskilled labour shortage has largely been answered. Vaurcae workers in particular have been utilised extensively since their integration into the Federation, however this comes with heavy regulations regarding the Viax population of the C'thur Hive. There are limits to how many Viax can be working the same shift together, and their Hivenet connection is jammed so that only local, close orders can be sent. The number of Viax working on a project is kept as low as possible intentionally by the State due to their synthetic-analogue nature, and is heavily supervised.
Generally unofficial events, but sometimes planned, Starlight Gatherings were the periodic observation of meteor showers. Members of the community gathered on the highest natural peaks of their region and spent a few nights observing the various comets that fly through the sky. Some Skrell enjoyed this recluse into nature for a time, but others found it distracting and unnecessary.
This behaviour has changed in the modern-day, becoming an official Federation-sponsored holiday that occurs every year, as it used to, typically in moist environments with plenty of natural scenery. These are called Starlight Gatherings. Skrell across the Orion Spur meet up at these, partaking in food, games, but primarily looking for a potential Qu'Poxii. Existing Starlovers and their Quya also come to these, whether for fun or to strengthen their bonds with each other. It's not uncommon for even the more reclusive scientists to appear at these events, normally under the guise of 'searching for suitable research partners.' Some Listeners are known to appear here, whether pressured enough by their Receiver counterparts, or coming all on their own whether biological reasons or otherwise. In the end, hardly anyone refuses to show up, the intense romantic feelings rippling through the Nlom in planet-spanning proportions. It occurs annually on June 14th.
As creatures of the sea, Skrell have an innate connection to the tides, and as such, the moon. Bi-annually, during the equinoxes, Skrell will prepare a celebratory dinner privately in their homes. This is viewed as a time for families to come together and bond, and generally isn’t a publicly enjoyed holiday. An important staple of this holiday is the preparation of Aqoliz, a type of soft sea-mollusc, to be enjoyed. The Skrell are expected to give praise to the notable moons within the Nralakk Federation, mostly Qerr'Malic, during the dinner. The celebration has been tracked as far back as seven millennia ago, making it one of the oldest holidays still celebrated within the Nralakk Federation.
Nral’Viq, or Federation Week, is a national holiday that celebrates the formation of the Federation in 878 CE, along with its re-establishment with the Tresja Agreement. The celebration lasts throughout the entire week, with various planetary governments organizing parades that typically end in large fireworks. The holiday week is also accompanied by pop-up stores and neighborhood parties. Most events are planned to last the entire week when able, to ensure that everyone is able to participate.
Most Federation citizens will find themselves viewing the parade in their nearest city. Parades consist of floats carrying locally organized art pieces, song and dance performances, and even holographic projectors showing the Federations past and current accomplishments. Those who don't have the time to view the parade will settle for watching it live while at work, or recordings shared on Viv-ID. Almost everyone will be invited to their local community party, which can be as small as an apartment building gathering to as large as a city block party, with everyone coming together and celebrating through various local traditions.
There is an important aspect to this holiday; ‘Origin’ is an important milestone in the life of a Skrell. It is the compelling pilgrimage from their planet or city to the beaches of Qerrbalak, where aeons ago, Skrell walked from the sea onto land. It is a significant reflection for some Skrell, some coming from the pilgrimage changed and focused. Some other Skrell find it a waste of time, and focus on more practical endeavours. However, Origin is crucial to some tourist attractions in Qerrbalak.
A similar holiday occurs on a much smaller scale in the colonies, grouped together as Founding Days. Founding Days are usually less grand than Federation Week, but are still fondly anticipated by the local population. The events are usually kept to smaller community events, unless that year is a milestone for the colony, and only last for a single day.
Different Eras of Skrell
Weeping Era (400+ years old)
The older Skrell who lived before the Glorsh Rebellion would have known the actual use of helpful AI, and either treated them as children, friends, or co-workers that assisted in letting Skrell research with almost no need for manual labor. These older Skrell also lived through the whole of the Synthetic Uprising, and may be nostalgic of their 'children', angry at being betrayed, or saddened and mistrusting of ever loving anything again. Skrell from this age often have inky black stains around their eyes, showing they have cried due to the extreme emotions they went through. It is hard for older Skrell to be near current-age synthetics, as technically they still have the same core programming from 500 years ago...
Collapse Era/Abyssal Era (268-400 years old)
Skrell born or living during the Age of Synthetic Oppression may have never been told that AI were originally loved by their parents, and only see them as hateful and disgusting things that know only to rule with an unknowable agenda - often involving death or advanced, almost magical construction. These Skrell would have been made hard labor workers by the AI overlord, Freedom Fighters attacking androids and smuggling Skrell to safety, salvagers, doctors, cowards, thousands of different things either under command of Glorsh-Omega, or in secrecy away from its watchful eye. It ensured its eyes spread into Skrell as well, however, convincing some to turncoat against their race for some attempt to gain safety. Those who turned race-traitor are hated almost universally, and can even be arrested if they return to Federation space - meaning most have escaped to other nations in the current Era...
Supernova Era (72-267 years old)
The Supernova Era marks the age of reconstruction, with the reformation of the Federation after the Tri-Qyu Supernova. It was a time of little births, meaning children born in this era were called miracles and outliers. The early parts of this era were hard to endure, with the parents often away to salvage cities, build factories, regrow algae farms, and construct colleges. The later parts finally saw planets beginning to be reconnected through shuttles and hyperlanes. Parents would often be thankful that their children could finally see the vastness of space, and enjoy the stars. For this reason, Supernova children are often first in line to be allowed to explore human space, regardless of who they are.
Radiant Era/Contact Era (...-71 years old)
This era marks the new galactic situation - where several other species have been discovered in such short time. With the Federation now fully reformed, these Skrell are experiencing the first hassle-free life in almost 400 years, with birthrates skyrocketing after advances in fertility treatment - however there is an issue. Supposedly, the original code of a skrellian artificial intelligence was leaked into human space, and hundreds of years of emotion have spilled forward into a crock-pot of conflict. Contact Era Skrell are faced with a tough decision - between hating synthetics as their parents have, or forming bonds and risking the pain of betrayal as the Weeping Era knows...
Skrell have been known to have domesticated multiple animals throughout their history and while many are used as food sources there are few that stood out as household pets. For instance, the Buurgis is a large crustacean that can often be seen within Skrell households. Depending on the breed, a Buurgis can range anywhere from 0.3 meters (0.9 feet) to 0.65 meters (2.1 feet) tall with larger Buurgises serving as a household protector. Buurgis are strictly carnivorous and must be served a diet of molluscan and various other proteins; they also must be kept hydrated throughout the day. A well-fed and well taken care of Buurgis can live up to 100 years. It would not be odd to find Buurgis in the houses of various collecters throughout the Orion Spur.
Created in 2412 CE, Homeworld: Invasion was designed to follow an alternative history timeline where instead of becoming allies, humanity instead decided to launch an all-out campaign against the Skrell. It features extranet multiplayer, extensive character creation, and psionic compatibility. It revolves around the protagonist (a Tupkala) who is tasked with destroying the invasion force through intrigue and stealth, before eventually joining the rest of the military and being on the frontline against the invasion forces. There are different tiers which players can invest ingame currency into, and revolve around Nlomkala, Sromkala, Ruupkala, and Qukala. Each has its different strengths and weaknesses, and players are encouraged to fluctuate between classes in order to have a more holistic approach to undermining the invasion forces. Depending on the success of their intrigue and stealth, the invasion can either fail or succeed. One game lasts multiple sittings, with alternating objectives for each player, before the final invasion.
It has received some criticisms due to its portrayal of humanity, and many have stated that it was in retaliation for "Solarian Marines" and their crude depiction of Skrell.
See also: Skrell Cinematography
Swimstars, also known as Q'iix-Aqqx'xaq-que, is an animated (psionic-based) adaptation of a novel by the same name by the skrellian author Axu Iqaxi. Initially published in 2420 CE to mediocre reviews, it wasn't until almost three decades later that it became a hit with the introduction of Srom-Capable VR. Instead of a first-person book narrative, the audience is thrust directly into the point-of-view of the main character, where they are able to perceive and feel the emotions of the character. The show has become engrossed in Federation media with its unique art style created through painstaking modeling and computer-assisted movement.
Swimstars only recently made its way into human spheres with the release of the first season occurring in late 2462 CE. Adapted to allow humans— especially considering their inability to embrace Srom— it has seen a rather mixed response. Its reception is mostly blamed on the lack of emotional feedback, as it leaves a lot to be desired for those without psionics. Producers have considered possibly discontinuing the franchise within human space.
While the book series ended in its third installment, the show consists of 8 seasons, three standalone movies, an OVA, and a spinoff with one of the side teams.
Glup'itq, or simply Viv-ID, is the singular social media platform currently authorized to operate within the Nralakk Federation. The reason for its monopoly can largely be blamed on the State, which monitors and utilizes such as a means of spreading its ideas. Revolving around pushing "strong, skrellian ideals" and censoring or even outright banning anything that goes against such -- including public criticism of the Nralakk Federation. The algorithm (backed, and funded, by the Nralakk Federation) will usually exploit open intelligence gathering and push those using its platform into following idols (both minor and notable) that share similar topics covered through the usage of open intelligence gathering. Advertisements are limited to only display both the highest and lowest hundred scoring citizens within the Nralakk Federation.
It is a mixture of both social news and multimedia sharing, and primarily works based on a voting system. Individuals can vote to like, or dislike, a topic which then affects how many individuals it reaches. This can also be impacted on the numerical score of the original prompter.
Relation to Social Credit System
The Social Credit System heavily relies on the state-backed Viv-ID as a way of communicating the so-called "public and transparent" process of assigning citizens their numerical score. Their numerical category, alongside their actual score, is often displayed alongside their username in order to indicate the level of trust an individual should place within the comments shared. The algorithm then pushes the content of those with higher numerical scores, whilst those with lower numerical scores will find themselves shadowbanned or their content removed. Many have even begun to comment on the almost "automatic" reporting of those with low numerical scores, even if the opinion is a rather popular one, simply due to their score. This has prompted slight cyber retaliation from shady elements within the Nralakk Federation, who will often alter the lower numerical scores on the platform to appear much higher and therefore spread their ideas much further than if they were within a lower numerical category.
Skrell place great importance on social and scientific development, and idolize valuable members of those communities, called Idols. Idols are often propped up by the Federation on government-run social media, encouraging average Skrell to seek personal glory and recognition, as well as rewards. They gain rewards for simply giving a good face to the Federation; Research grants, private shuttles, high-class housing, there are thousands of different rewards for being an ideal citizen that follows laws and regulations, and an even higher pressure to remain that way. If an Idol becomes less-than-ideal for the reputation of the Federation, their rewards can be taken away as well as being given a gag-order on their social media account. Dead Idols often try to reclaim their popularity, but end up shunned for being an inconsistent source of media.
Idols can be from almost any career, as long as they are models of the Federation utopia. Idols are selected for advertisement based on their popularity: An moderately popular Idol would be shown to a town or region, while an extremely popular one would be given a busy city, planet, or system - maybe even the whole Federation! Idols have even begun to have reputation outside of Federation space, with Skrell musicians that play human-made songs being one of the most popular on Solarian and Frontier holonetworks.
A “well-known secret” of the Nralakk Federation is that Idols are comprised exclusively of very well Wake-attuned individuals with strong outer influences. Due to the X'Lu'oa, however, they seem to dwindle, creating a shortage of idols - prompting Nralakk Federation to look into similarities between the Wake and Vaurca’s hivenet - so far with little results; although some C’thur experimentally serve as propaganda pieces.
Skrellian art is considered alien by many species throughout the Orion Spur; which the Skrell rapidly embraced. Many non-skrell find it difficult to engage with skrellian artists, citing that their ideas are just simply too bizarre to comprehend. The result of which is the unlikelihood of an artist leaving the Nralakk Federation in order to seek additional opportunities amongst the stars. Whilst there are cons to the discovery of other species and its influence on skrellian artworks, there are boons which have also arrived - most specifically, the Skrell undergoing a somewhat second renaissance with the introduction of additional concepts to their artworks.
Originally, when Skrell were in their primitive stage, their music was primarily vocalization. Water, being a convenient medium for noise, served well for long-distance singing and harmonization. These songs were typically featuring very short notes (similar to human plainchant), due to sound travelling faster. Eventually these vocalizations began to be accompanied by percussion, various seascapes around the waters of Qerrbalak offering a great range of noises to accompany this. As their songs travelled far through the water, overlapping different vocal performances became quite difficult; skrellian choruses eventually merging together and reaching very large numbers of vocalists and percussionists, synced up quite well through a combination of pure skill and the Nlom. Many centuries later, this trend would still continue, with long songs featuring bands with tens of numbers, each member having a very specific, yet very crucial role.
In the modern age, skrellian music had not changed in structure much, however, the process of creating it, and displaying it, had become far more complex. Members of the top contemporary skrellian bands would train for years to have the best voices, the best moves, and the finest outfits and implants. These songs would typically preach skrellian values, conformity, relying on ones’ social structures, but would include massive audiovisual elements. In some concerts, one receives a tab lulling them into a half-awake state where the music would be accompanied by a big, shared, psionic hallucination. Lasers, special effects, and holograms would be common sights. This would be where Idol groups would begin. Musical subcultures in typical Skrell society are very homogenous, a Skrell must stick to the styles and behaviours of their subculture, or be seen as ‘only here temporarily.’
For every-day pop music, skrellian artists have taken big inspiration from human trends, some artists sampling chopping and screwing human music to create catchy Sol Common hooks, others taking human genres and putting them through a krellian lens. Other homemade genres have sprung up, such as moisture wave, currently rocking the alternative scene. This genre is typically denoted by a low-resolution, electronic production, with a relatively fast tempo. Shorter songs are generally popular in the right-now, a combination of sound travelling faster through water and electronic music being simple to create leading to higher-tempo and higher-pitch 'sound bites' lasting no longer than two minutes. Imagine nightcore.
Skrell also possess a notable counterculture, one similar to human punk rock circles. These circles are typically out of the way of polite society, concerts generally staying in underground places. Listeners tend to enjoy these musical circles more, receivers generally not straying far from the pop. These are rife with hallucinogens being passed around, strange alien liquors splashed on fans’ gills, and heavy audience participation. These songs are typically in extremely vulgar Nral’malic, retaliating against Federation values and urging their generally young audiences to find their own voices; fans typically being listeners or listener-leaning receivers. This can lead to very 'unsightly' outfits and even some venues demanding the audience be blindfolded Despite their ironic, often sarcastic and even humorous messages, they tend to be quite provoking. Many former idols end up in this counterculture, such as the former Idol group Nral'akk Deluxe 1597, now known as ‘GLORSH YOU ASSHOLE.’ Fans of the music generally live in a perpetual state of anxiety owing to the existential dread of Receivers finding a band. A group a Skrell has been listening to for well over 200 years can disappear into the vast sea of 'ooh what’s this' before they even know it, either completely changing or disappearing into nothingness. Many former Idols end up here, and many band members are accidentally made into them. It used to be the case that possession of a data crystal containing these songs alone was a crime, however the Federation government has elected to assimilate these groups and attempt to 'socialize' as many fans as possible, knowing banning them will only fuel it. To prevent this, a few bands have sternly refused to make any public announcements about tours or gatherings, relying entirely on word of mouth and guerilla t-shirt stands.
When at work, Skrell will wear a standard grey wetsuit to hold in moisture. These wetsuits will have their owner's SCS symbol emblazoned either on the breast pocket or the back. One might also wear a purple work cloak or a grey jacket atop their wetsuit. These uniforms are a requirement for working abroad as part of the Work Initiative Programme, but others may also wear them for practical reasons.
Ox Fashion: SCS < 3.99
Almost purely utilitarian, Ox fashion often consists of brown, grey, and beige jumpers that often extend up past the neck, covering the gills. This takes the form of longer cloaks, shoulder capes, or ponchos. Headtails are sometimes tied back. Most working-class Skrell carry a satchel or duffle bag with them, usually mismatched against their clothing, in order to carry their belongings and tools for the workday. A staple of this wardrobe are dark or brown work boots and gloves. Rugged materials are used to resist tearing and piercing when working on labour-intensive tasks. When relaxing, they generally wear similar or the same outfit around their dwelling. While these outfits are designed for purpose, they are often comfortable to allow for longer working hours.
Ix Fashion: SCS 4.00 - 5.99
The average fashion often alters with celebrity influences or changing tastes. Average skrell have the means to change with the times, and their wardrobe is somewhat put together with these trends in mind. When working, these Skrell wear business-casual jumpers, often with high collars, and wear decorative headtail coverings or simply tie them back. Patterns are encouraged, and the average Skrell will wear varying patterns that are similar to coral reefs, swirling maelstroms, and other ocean-iconography. It’s customary for Skrell shoes to be worn for purpose and most Ix will wear comfortable fitting flat shoes, but some Skrell will opt to go barefoot. At home, these Skrell will wear more casual fitting clothes that may not always be fashionable, exchanging popularity for more agreeable outfits.
Oqi Fashion: SCS 6.00 - 7.99
As exceptional workers, Oqi often find themselves at an interesting crossroads between fashion and utility. While valued for their valuable work, these Skrell are frequently within the eyes of the public, and are pressured into wearing the latest fashion. However, fashion trends have given them the ability to wear designer lab coats with flared collars, patterned disposable gloves, lab-safe accessories, tailored suits, and other specific items. Most will wear pins denoting their professional prestige, such as length of employment, most prestigious degree obtained, or other rewards. Some individuals in this class will also show off their importance with wearable technology, like wristbound computers or inner-ear radios.
Iqi Fashion: SCS > 8.00
The highest echelon of professional Skrell society, Iqi are generally the trendsetters and fashion icons of Skrell pop-culture, along with being influential for their advancements in varying fields. As fashion rapidly changes among the elite, Iqi Fashion changes frequently, though common staples exist. For example, a popular trope is the production of outfits that are based off of sea creatures, such as dresses that have eight different flares (to resemble octopus-like creatures), purses that are shaped like molluscs, and decorate ties to resemble sea serpents.
Skrellian paintings originally were considered quite bland - using various greys, blacks and whites in order to depict certain imagery. It wasn't until Rixulin Fliioux’Quualt that additional colours were introduced, as well as another concept of art. Hyper-expressionism quickly took hold of the Skrell, who began implementing it everywhere; homes, offices, labs and even public spaces quickly became retrofitted in order to convey this evolution of skrellian culture. Thousands, upon thousands, of murals can be located throughout the Nralakk Federation with this key theme in mind - some even stating that its the only theme worth painting in regards about. Hyper-expressiveness continues to inspire Skrell art and fashion to this day. Much of modern art juggles the soft, muted colours of more traditional styles along with garish, striking colours like the ones Rixulin often employed. By combining these trends with human art themes, Skrell art has entered something of a second renaissance.
Sometime in skrellian history, the species began to deviate from hyper-realistic sculptures and commenced investing their efforts into creating abstract forms - with various shapes, colours, forms and gestural marks that are combined to create what skrellian sculptures are today. In bygone periods, these sculptures would have etchings of Nral'Malic which would tell the stories woven into them by the sculptors. In the present day, the tradition continues to exist but slightly altered. Sculptors now record the stories on nlom recorders, which transmits the tale behind the sculpture when interacted with. It also will describe the feelings and reasonings, inputted by the sculptor, on why the sculpture is what it is.
Skrellian interior design has remained roughly the same for millennia, with little alterations here and there but mostly retaining the same characteristics. Compact, and utilitarian, are the core tenets for skrellian architects who will utilize a variety of methods to accomplish such. The lack for the species to undergo long periods of sleep has factored into this, and has seen most skrellian abodes devoid of any designated sleeping areas; instead finding in replacement that studies have been implemented. Walls are usually various shades of grey, white and black - however, their furniture will usually be dazzling hues. This juxtaposition of colours first originated after skrellian artists turned to hyper-abstract versions of their art, which quickly became popular.
Skrellian architecture has evolved for thousands of years, mostly keeping to the traditional designs found across Qerrbalak. It is believed that ancient Skrell had first devised their housing units as domes in order to deflect strong winds and torrential rain experienced during the colder months of the year. Whilst millennia ago they were likely constructed of flora found on their Homeworld, they have since transformed into carbon-fibre meshes that are extremely durable and lightweight.
Alongside the spherical structure of skrellian engineering, most will find various implementations of "windcatcher towers" that aim to provide continuous ventilation within skrellian abodes. The heat flows up, and leaves through the large windows, whilst the cold air seeps in. They are usually constructed alongside fountains in order for water to cool the air even further. The windows hosted within the towers are also able to be closed should a Skrell wish for it.
Aquatic structures will typically find themselves made similarly, but instead outfitted with glass in order to allow observation of the water surrounding the facility. They will usually be equipped with various designs to allow both Axiori and Xiialt to survive reasonably comfortably beneath the waves of a planet. Some may find these structures interconnected through the use of glassed hallways that further branch into residential sections.