Unathi Entertainment - Revision history

Captain Gecko: Cultural Resurgence Update

2026-09-03T10:39:08Z

Cultural Resurgence Update

Lent23 at 23:12, 23 February 2026

2026-02-23T23:12:31Z

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			{{Unathi_Culture}}
	{{Navbox Lore}}		{{Navbox Lore}}
	{{Navbox Unathi Lore}}		{{Navbox Unathi Lore}}

Captain Gecko: SHE WHO MAULS NOW IN TECHNICOLOR!!!

2025-08-27T14:49:16Z

SHE WHO MAULS NOW IN TECHNICOLOR!!!

← Older revision		Revision as of 14:49, 27 August 2025
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	=== She Who Mauls ===		=== She Who Mauls ===
			[[File:SHEWHOMAULS.png\|thumb\|right\|A poster of the third season of She Who Mauls, featuring, from left to right: Kreel, the mysterious leader of the Aut'akh faction of the season; Zandiziite Widowtown, rival-turned-occasional ally since season two; and She Who Mauls herself.]]
	She Who Mauls is a science-fiction animated television series that began before the Contact War. Originally, it followed the tale of a prospective Zandi from an obscure settlement of Moghes attempting to qualify as a [[Zandiziite_Games\|Zandiziite Warrior]]. A primary concept of the show is the Spirit Arts, where through a mix of martial mastery, strength of character, and spiritual devotion, a Warrior becomes empowered by the Spirits themselves, turning them into greater fighters. The unnamed protagonist's chosen Zandiziite moniker "She Who Mauls" was controversial with audiences, as the Zandiziite Games only admits Warriors; however, through her stunning physical prowess and nobleness of character, leading to a great potential with the Spirit Arts, she was accepted as a contestant. The story follows the trials and tribulations associated with She Who Mauls competing in the Zandiziite games with such abilities; her status as a woman is frequently bought up as a point of ire and contention - something to be overcome by succeeding in various games; and also touches on aspects of Th'akh religion through which spirit power is derived. Many Th’akh workshippers were offended by the fantastic but inaccurate render of their faith within the show, while many of the Sk’akh religion were of course displeased with the show making such a positive, even if unrealistic, portrayal of the old faith. Despite all of this, though, the show still proved surprisingly popular with Unathi of nearly all walks of life, mainly from the sheer strength of its storytelling, characters, and naturally, thrilling fight scenes.		She Who Mauls is a science-fiction animated television series that began before the Contact War. Originally, it followed the tale of a prospective Zandi from an obscure settlement of Moghes attempting to qualify as a [[Zandiziite_Games\|Zandiziite Warrior]]. A primary concept of the show is the Spirit Arts, where through a mix of martial mastery, strength of character, and spiritual devotion, a Warrior becomes empowered by the Spirits themselves, turning them into greater fighters. The unnamed protagonist's chosen Zandiziite moniker "She Who Mauls" was controversial with audiences, as the Zandiziite Games only admits Warriors; however, through her stunning physical prowess and nobleness of character, leading to a great potential with the Spirit Arts, she was accepted as a contestant. The story follows the trials and tribulations associated with She Who Mauls competing in the Zandiziite games with such abilities; her status as a woman is frequently bought up as a point of ire and contention - something to be overcome by succeeding in various games; and also touches on aspects of Th'akh religion through which spirit power is derived. Many Th’akh workshippers were offended by the fantastic but inaccurate render of their faith within the show, while many of the Sk’akh religion were of course displeased with the show making such a positive, even if unrealistic, portrayal of the old faith. Despite all of this, though, the show still proved surprisingly popular with Unathi of nearly all walks of life, mainly from the sheer strength of its storytelling, characters, and naturally, thrilling fight scenes.

Captain Gecko: /* Cinema and TV */

2025-08-04T13:04:49Z

Cinema and TV

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	Last Days of Kres’ha’nor has achieved great popularity among offworld Unathi, with many viewing the show’s portrayal of Moghresian history as a romantic depiction of proud Sinta traditions. The show’s commitment to historical accuracy has often been lauded by Unathi scholars, and its success has led to the greenlighting of a series focusing on the rise of the [[Unathi_History#The_Second_Hegemony\|Sarakus Hegemony]], scheduled for release in 2467.		Last Days of Kres’ha’nor has achieved great popularity among offworld Unathi, with many viewing the show’s portrayal of Moghresian history as a romantic depiction of proud Sinta traditions. The show’s commitment to historical accuracy has often been lauded by Unathi scholars, and its success has led to the greenlighting of a series focusing on the rise of the [[Unathi_History#The_Second_Hegemony\|Sarakus Hegemony]], scheduled for release in 2467.

			=== She Who Mauls ===

			She Who Mauls is a science-fiction animated television series that began before the Contact War. Originally, it followed the tale of a prospective Zandi from an obscure settlement of Moghes attempting to qualify as a [[Zandiziite_Games\|Zandiziite Warrior]]. A primary concept of the show is the Spirit Arts, where through a mix of martial mastery, strength of character, and spiritual devotion, a Warrior becomes empowered by the Spirits themselves, turning them into greater fighters. The unnamed protagonist's chosen Zandiziite moniker "She Who Mauls" was controversial with audiences, as the Zandiziite Games only admits Warriors; however, through her stunning physical prowess and nobleness of character, leading to a great potential with the Spirit Arts, she was accepted as a contestant. The story follows the trials and tribulations associated with She Who Mauls competing in the Zandiziite games with such abilities; her status as a woman is frequently bought up as a point of ire and contention - something to be overcome by succeeding in various games; and also touches on aspects of Th'akh religion through which spirit power is derived. Many Th’akh workshippers were offended by the fantastic but inaccurate render of their faith within the show, while many of the Sk’akh religion were of course displeased with the show making such a positive, even if unrealistic, portrayal of the old faith. Despite all of this, though, the show still proved surprisingly popular with Unathi of nearly all walks of life, mainly from the sheer strength of its storytelling, characters, and naturally, thrilling fight scenes.

			The Contact War began before the first episode of the second season could be run, halting production, and the chaos that followed the atomic exchange caused the studio to become defunct. It was considered lost media in the years following, and it was thought that the studio itself had probably been destroyed. It was, however, revitalized by an Ouerean animation studio built from members of the original writing and animation team who had fled Moghes during the war by 2464. The location of the studio on Ouerea have also allowed it somewhat more political freedom to cover some potentially more controversial topics or plotpoints. the following second season, and the currently-in-production third seasons of She Who Mauls have left behind the original Zandiziite Tournament origins of the story to instead focus on more fantastical threats and antagonists to Moghes, stakes getting greater as time the story progresses. The second season focused primarily on a threat to Moghes from a group of invading Unathi Pirates claiming to be the Scythes of Sik'amakh themselves made manifest, deriving their spirit power from the Unathi Pirate branch of the Th'akh religion. The third and currently ongoing season introduces Aut'akh to the story for the first time, with them using their powerful prosthetics, and calling upon Mador spirits to fight on-par with She Who Mauls for a time, before unexpectedly switching sides to become unlikely allies aftter these very same Aut’akh mistakingly cause ancient Madors to wake up from a millenia-old slumber and set forth to erase the Sinta’Unathi as a species.
			The show has also started to grow more popular across the Spur as a whole as of recently, with the release of dubbed versions in Tau Ceti Basic, Sol Common and Nral’Malic. Many foreigners claim to find the signature “Unathi campiness” endearing if not outright exciting.

	== Games ==		== Games ==

Captain Gecko: /* The Art of the Hunt */

2024-12-17T11:07:37Z

The Art of the Hunt

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	Each episode follows the same 3-part structure: the first part introduces the game they are after, or the type of fish they are looking to catch, then the process to actually hunting or catching it. The second part revolves around processing said catch, from skinning to choosing what part to keep, coupled with plenty of advice and reminders about health and safety. Finally, the third part revolves around cooking the meat in question, much like a standard cooking show. This three part structure allowed the show to draw a wide range of audiences, some interested by specific parts, others by the show as a whole.		Each episode follows the same 3-part structure: the first part introduces the game they are after, or the type of fish they are looking to catch, then the process to actually hunting or catching it. The second part revolves around processing said catch, from skinning to choosing what part to keep, coupled with plenty of advice and reminders about health and safety. Finally, the third part revolves around cooking the meat in question, much like a standard cooking show. This three part structure allowed the show to draw a wide range of audiences, some interested by specific parts, others by the show as a whole.

	The show first aired in January of 2459 and has been broadcasted weekly on Moghesian television ever since; and since 2465, on various other channels across the spur. Since 2464, The Art of the Hunt’s team started shooting across the Spur, offering tips about hunting and cooking meat from abroad. Notable episodes include the [[Deep_Space#Space_Fauna\|Space Carp]] episodes made in partnership with the [[Unathi_Military_Structure#The_Navy\|Izweski Navy]]; and the [[Dominia\|Dominian]] episodes during which Ystan hunts along members of the [[~~Empire_of_Dominia_Great_Houses#House_Kazhkz~~\|Kazhkz ~~Unathi House~~]]; the latter also being a display of Ystan’s desire to keep the show as apolitical as possible, which contributed to earning more viewers.		The show first aired in January of 2459 and has been broadcasted weekly on Moghesian television ever since; and since 2465, on various other channels across the spur. Since 2464, The Art of the Hunt’s team started shooting across the Spur, offering tips about hunting and cooking meat from abroad. Notable episodes include the [[Deep_Space#Space_Fauna\|Space Carp]] episodes made in partnership with the [[Unathi_Military_Structure#The_Navy\|Izweski Navy]]; and the [[Dominia\|Dominian]] episodes during which Ystan hunts along members of the [[Unathi_in_Dominia\|Kazhkz Clan]]; the latter also being a display of Ystan’s desire to keep the show as apolitical as possible, which contributed to earning more viewers.

	=== Venom Hearts ===		=== Venom Hearts ===

Captain Gecko: /* Boarding Action */

2024-04-09T07:27:14Z

Boarding Action

← Older revision		Revision as of 07:27, 9 April 2024
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	=== Boarding Action ===		=== Boarding Action ===

	Boarding Action is a game created by and, originally, for [[Unathi Piracy\|Unathi pirates]]. It is a game noteworthy for being extremely complicated, many saying to a ridiculous degree, being “the fruit of the bored imagination of crewmen stuck ~~into~~ their ships with very little to do for days” as said by [[Unathi_Piracy#Iska's_Adventurers\|Altarak Iska]] himself during an interview after his fleet officially joined the Hegemony.		Boarding Action is a game created by and, originally, for [[Unathi Piracy\|Unathi pirates]]. It is a game noteworthy for being extremely complicated, many saying to a ridiculous degree, being “the fruit of the bored imagination of crewmen stuck in their ships with very little to do for days” as said by [[Unathi_Piracy#Iska's_Adventurers\|Altarak Iska]] himself during an interview after his fleet officially joined the Hegemony.

	Boarding Action is a strategy board game, very similar to wargames, played by at least two players and with no upper limit to how many can take part in it. Each player has their own board representing their ship, resting on an even larger board (or just the floor or table itself) representing the battlespace ~~space~~. Along with their ships, players get a crew, represented on their board by tokens, and resources like weapons, fuel and wealth represented by cards. Players take turns over various game phases from moving to taking actions to firing, and can revolve around any goals, though the basic objective is defeating the enemy ship, either through space combat or, as the name suggests, boarding action. If more than two players are taking part in the game, teams can be formed, leading to veritable space battles.		Boarding Action is a strategy board game, very similar to wargames, played by at least two players and with no upper limit to how many can take part in it. Each player has their own board representing their ship, resting on an even larger board (or just the floor or table itself) representing the battlespace. Along with their ships, players get a crew, represented on their board by tokens, and resources like weapons, fuel and wealth represented by cards. Players take turns over various game phases from moving to taking actions to firing, and can revolve around any goals, though the basic objective is defeating the enemy ship, either through space combat or, as the name suggests, boarding action. If more than two players are taking part in the game, teams can be formed, leading to veritable space battles.

	Games are known to be very long, the shortest games known to last several hours; while the bigger-scaled, longer games are played over multiple days. This made the game rather well-known abroad for such facts, and yet rarely if ever played by anyone but the most dedicated of players aside from other pirates. Unathi pirates being accepted back into the Hegemony for swearing fealty as of recently, notably with the entire Iska’s Adventurers fleet joining, have led to the game getting some more popularity in non-pirate circles however.		Games are known to be very long, the shortest games known to last several hours; while the bigger-scaled, longer games are played over multiple days. This made the game rather well-known abroad for such facts, and yet rarely if ever played by anyone but the most dedicated of players aside from other pirates. Unathi pirates being accepted back into the Hegemony for swearing fealty as of recently, notably with the entire Iska’s Adventurers fleet joining, have led to the game getting some more popularity in non-pirate circles however.

RustingWithYou: religion page links

2024-03-10T02:09:32Z

religion page links

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	Ski has learned to play various instruments since her career began, though she almost exclusively plays traditional Moghesian instruments. Her instrument of choice is the Ksar - a centuries-old, large instrument not unlike a harp, featuring five strings and played with a bow. Her singing is equally based on tradition, employing plenty of long hissing and notes. As a person, she is said to be a calm and quiet, but very kind woman.		Ski has learned to play various instruments since her career began, though she almost exclusively plays traditional Moghesian instruments. Her instrument of choice is the Ksar - a centuries-old, large instrument not unlike a harp, featuring five strings and played with a bow. Her singing is equally based on tradition, employing plenty of long hissing and notes. As a person, she is said to be a calm and quiet, but very kind woman.

	Her texts generally revolve around praising Unathi culture and traditions, as well as mourning what was lost and the many lives wasted in the [[Contact War]], often mixing mournful but hopeful themes. Perhaps the source of her success, however, might be her ability to embrace and praise tradition without coming off as hostile to the [[Izweski Hegemony\|Hegemony]] and other more progressive elements of the Unathi population; instead preaching a message of peace, forgiveness, and harmony. Her most famous track is a perfect example of it, named “Spirits of Stones”, it is about a young couple falling in love with each other in the middle of the [[Unathi_Recent_Events#The_Iron_Crusades_and_Religious_Tensions_(2460-2461)\|Iron Crusade]], one being of [[~~Unathi_Religion#~~Sk'akh~~\|Sk’akh~~]] faith, and the other [[~~Unathi_Religion#~~Th'akh~~\|Th’akh~~]], ending on bittersweet notes.		Her texts generally revolve around praising Unathi culture and traditions, as well as mourning what was lost and the many lives wasted in the [[Contact War]], often mixing mournful but hopeful themes. Perhaps the source of her success, however, might be her ability to embrace and praise tradition without coming off as hostile to the [[Izweski Hegemony\|Hegemony]] and other more progressive elements of the Unathi population; instead preaching a message of peace, forgiveness, and harmony. Her most famous track is a perfect example of it, named “Spirits of Stones”, it is about a young couple falling in love with each other in the middle of the [[Unathi_Recent_Events#The_Iron_Crusades_and_Religious_Tensions_(2460-2461)\|Iron Crusade]], one being of [[Sk'akh]] faith, and the other [[Th'akh]], ending on bittersweet notes.

	=== Wall Breachers ===		=== Wall Breachers ===

La Villa Strangiato: edits formatting and adds lore navboxes

2024-01-30T21:22:03Z

edits formatting and adds lore navboxes

Show changes

Captain Gecko at 12:00, 30 January 2024

2024-01-30T12:00:56Z

← Older revision		Revision as of 12:00, 30 January 2024
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	== Tales of the Past ==		== Tales of the Past ==

	[[~~RThe_Wasteland~~#The_Reclaimers\|Reclaimer clans]] and other Wasteland explorers scour the [[The Wasteland\|Wastes]] mainly for technological items and resources to recycle, but its not rare for other types of finds to come up, such as pieces of literature. Though not of immediate use, many knew not to dispose of these finds, forgotten pieces of a culture damaged by the Contact War. This led to the creation of Tales of the Past, a monthly magazine published by the Keepers of Heirlooms, but sharing stories often provided by Wasteland explorers.		[[The_Wasteland#The_Reclaimers\|Reclaimer clans]] and other Wasteland explorers scour the [[The Wasteland\|Wastes]] mainly for technological items and resources to recycle, but its not rare for other types of finds to come up, such as pieces of literature. Though not of immediate use, many knew not to dispose of these finds, forgotten pieces of a culture damaged by the Contact War. This led to the creation of Tales of the Past, a monthly magazine published by the Keepers of Heirlooms, but sharing stories often provided by Wasteland explorers.

	Each issue of Tales of the Past provides a couple of articles explaining life or events in the Wastes, but most importantly, includes collections of written pieces gathered all over the wastes: books, letters, journals, notes and more. When possible, these pieces are identified, or investigations are made to figure out who wrote them or what they were about when incomplete; readers are often regularly invited to contact Tales of the Past to provide information if they happen to recognize some of the pieces in order to help with said research.		Each issue of Tales of the Past provides a couple of articles explaining life or events in the Wastes, but most importantly, includes collections of written pieces gathered all over the wastes: books, letters, journals, notes and more. When possible, these pieces are identified, or investigations are made to figure out who wrote them or what they were about when incomplete; readers are often regularly invited to contact Tales of the Past to provide information if they happen to recognize some of the pieces in order to help with said research.
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	== Conquest ==		== Conquest ==
			[[File:Conquest Game.png\|thumb\|right\|A typical Conquest board. The red side (up top) has the advantage currently.]]
	Conquest is a board game supposedly dating back to the [[Unathi_History#The_First_Hegemony\|First Hegemony]]. It is played on a 11-by-11 squares checkered board with lines, or “paths”, possibly featuring empty spaces in it as well. Each player takes a side of the board and places their 11 pieces at the first line in front of them, facing the other player’s side.		Conquest is a board game supposedly dating back to the [[Unathi_History#The_First_Hegemony\|First Hegemony]]. It is played on a 11-by-11 squares checkered board with lines, or “paths”, possibly featuring empty spaces in it as well. Each player takes a side of the board and places their 11 pieces at the first line in front of them, facing the other player’s side.

Captain Gecko at 11:56, 30 January 2024

2024-01-30T11:56:34Z

Show changes